Showing posts with label Spoken word. Show all posts
Showing posts with label Spoken word. Show all posts

Wednesday, 20 March 2013

VOCAL PORTRAITS-REVIEW




At a time when spoken word/ poetry is endeavouring to make a claim within Ghana’s entertainment scene, it is just apt for artistes to project their craft and genre. And that’s what Kwame Write is doing with his debut album Vocal Portraits.

Some people keep hidden speeches,
gestures and codes,
Embedded secrets deep inside vaults of their soul
Some have tongues stained
with dried words……


An attempt at transporting the art of spoken word poetry from the ambience of the stage (or a select few) to a multitude has culminated in the birth of Vocal Portrait-a 20 track album put together by Kwame Write (Kwame Aidoo) featuring 15 of Ghana’s dynamic poets.

The album spans the compelling themes of love, politics, salvation, womanhood (beauty) and sexuality expressed in different shades of styles.

The reason for the album is captured in this succinct opening:

 
 Some people keep hidden speeches,
gestures and codes,
Embedded secrets deep inside vaults of their souls
Some have tongues stained
with dried words
The rhythm of their voiceless intentions
Vibrate from the walls in which they submerge
Some people lose their names
Instead of their chains
Let their passion
Run through
The soul of our ink
Vocal Portraits!!

The album opens with Chieff Moomen’s Savannah Love, an ode to Northern Ghana. Aided by a kora and calabash thumping rhythm, the poem transports the listener into the realm of history and cultural traditions. Words like ‘… let us visit the Salaga market and shed a tear or two to tribesmen who were sold in bondage…’ and Let me take you home/circle your arms around my waist/Place your head gently on my back and hear how my heartbeats for you/As we ride into our distant dream encapsulates the pleasure of love.

The contentious notion of beauty as defined by Western standards is addressed on Mariska Taylor-Darko’s Black Woman. In her smooth and texturized voice over a soulful keyboard beat, she laments ‘Now I hardly see an original black woman/ They all seem to have become Chinese, Indian or European/ Flicking about hairs that is not their own/ … Afraid because their mind have been conditioned to think that a perfect woman has straight hair and fair skin!

And she asks: ‘Have you ever really looked at the beauty of a black woman? All natural and dark/ The way her eyes and teeth sparkled in contrast to her skin’. It makes you wish to take a deep look at a black woman the next time you encounter one.

One of the unique poems on Vocal Portraits is Yom Nfodjoh’s Ny3br) (Friend). It uniqueness lies in the fact that it is recited in pidgin English. The ‘supposed’ skit is raw, rugged and laden in content and delivery. Ny3br) is an accolade to good friendship; for he speaks ‘Ny3br) dey hold me down/ like telling me to up my head when I wan drop am and frown/ See pressure dey, Ny3br) dey help me see better days/…Isolation is deadlier than HIV/So even when on a hospital bed with HIV/Ny3br) dey my side dey love me’’.

In my opinion, this shouldn’t have been a skit. It should have been recorded as a full track rather the 1:37 time allotted it.

On The Wait, Edith Ndabi’s powerful opening lines ‘Today,I realize I have two things in common with a nun/devotion to God and not getting some/and am not really picky. I like tall. I like them good/but sex before you marry me the answer is not at all/ enraptures and makes you listen more closely.

She chides the concept of sex before marriage (or within relationships) and compares virginity to leprosy ‘Cos no one wants it to happen to them. No one wants to catch it’.
For those on the verge of giving up Kwame Write’s ‘Keep Moving On’ is a reminder to keep moving. It’s deep and motivational, empowering the listener(s) to surmount obstacles of life. Words like ‘Keep moving on/Even when echoes become walls and rebound efforts into codes/ Even in a free fall, Floored/ Flee all for fortune/ Find freedom/Don’t fade into future… Keep moving on is enough motivation to steer ahead to better days.

The Dance In our Speech exposes the versatility of Kwame Write. His delivery switches from a machine gun, rapid fire delivery to a calm style preaching. He easily rides on the beats, helming the words on them with incredible ease, something many rappers will envy.

The strength of the album lies in the passion and enthusiasm guest poets exuded as much as its structure, the themes and beats, which perfectly complement each other on Vocal Portraits, giving the album its hip outlook. The album undoubtedly seeks to project the art of spoken word/poetry whiles leaving the listener with a didactic element.

Featured poets are Laud DePoet, Rhyme Sonny, Tiffany Howard, Aqua Stuntizenaite, Anastasia Karklina, Michael Somuah Kesse and Yaw Twum Barima, Kweku Rap, Jude Edze.

In as much as the album is worth applauding for its beautiful compositions, the scope of themes on the album could have been broadened. Featured poets could have been daring enough to explore such ‘in-your-face’ subjects as did Mariska Taylor-Darko, Edith Ndabi, SharkMellon and KwameWrite himself.

Again, Kwame’s love for wordplay and punch lines sometimes get the listener losing out on the message in his recitations. But as a first album he could be forgiven.

In sum Vocal Portrait is an album worth having by every poetry/ spoken word enthusiasts. The output of featured guests is phenomenal and again the price is just right for such a good work.

This is for those who were schooled as well as the educated..
This goes out to those who were fooled, the miseducated,
The unschooled, the uneducated
The educated with not enough education,
covered like a lamp shade over burning wick by
the acclaimed over-educated trampling other people's education
This goes out to you you you you
Vocal Portraits!!

Follow @kwamewrite on twitter
Order copies here inkfluencemulti@gmail.com 






Tuesday, 30 October 2012

ALBUM REVIEW – THE OKYEAME KWAME VERSATILE SHOW




"The Rap Doctor'' OKYEAME KWAME

Is it the array of young singers that he featured on the album that is the attraction? May be the expression of his musical malleability? Or the riveting and soothing effect the songs leave on the listener? That is the question I’m trying to decipher after listening to the new album ‘’The Okyeame Kwame Versatile Show’’.

The album is indeed an exhibition of versatility as the artiste does more singing than rapping, something unusual from an artiste with ‘Best Rapper Alive’ tag.

The album carries with it such ‘lightness’-an easy listening pleasure coupled with a soul soothing aura. The track list (13 songs with 4 instrumentals) will leave many to drool over the album. Check the full track list below the article

One distinguishing feature about the album is the level of quality work the quest acts put in. The songs are crafted to dove-tail into the versatility the ‘rap doctor’ is projecting.

So, which are the favourites? “Sika”(Money) which features Kesse and explores the compelling power of money or Woara (Only You), the amorously tasteful high life ballad featuring the sultry songstress Raquel, in which the rapper argues that ‘’bye bye is for guys with bad vibes’’?

 Maybe White Wedding with EFYA, whose vocals over this neo-soul flavoured piece leaves a tinge of sensation on the listeners’ ears. White Wedding looks at the nexus between love and white weddings. Efya sings “Living in the same room/Pouring all my love through/ Pretending to be wifey, bearing all the pain with you/ Is wedding too much to have?  Okyeame Kwame’s rap at the end sounded more like spoken word poetry than rap.

Mr. Versatile, arguably the lead song opens with a bold and profound statement as Okyeame Kwame claims ‘’I’m too old for swag/ so I floss’’ and indeed he flossed, rapping on a myriad of beats from different genres of music. Irene Logan’s voice sounds expansive and rich. The track goes to confirm why Okyeame Kwame is the best rapper alive.

Don’t Judge Me featuring Vera (D-3) is heavily laden with guitar strings, giving it a pop-rock-electro appeal. Vera’s remarkably, powerful, Rihana-esque voice reverberates through the music.

On  Odo Wo He, he teams up with Nana Yaa to go in search of their love. It’s the kind of song that instantly 
gets you bumping to as soon as the beats swell up.

Then comes the high tempo, danceable and rap-filled tracks like One In A Million, where he and Caroline sketch a template of the spouse they wish to have. Others include the humor-filled Mafe Wo, the raw rap full Kwame Ke Tinny, Far Away (the only azonto track) on the album featuring SHE, whose singing was unnecessarily auto-tuned.

Raquel’s brilliance on Woara perhaps got her a second bite on the album by providing the hook for the rock-influenced New Nation featuring Bradez. A politically themed song calling on Africa to rise and celebrate her success as the chorus indicates: “I know you can’t wait till the storm is over/ The light at the end of the tunnel is getting closer/ The war is over now/ So put your armour down/ And celebrate”!

Holla At You, a calypso/carnival riddled track featuring Edwin (Soul Black) put gloss on the album. No need to go far for the calypso songs, we have one right here to jam with.

As an ambassador for Hepatitis B, it was fair to provide a slot for a track about the disease. It featured Quabena Maphia, whose emotion-filled singing gives the song a deserved ‘sorrowful’ effect.

Okyeame Kwame’s quest to establish himself as a versatile rapper or performer was achieved by this album. The various modes and swings of songs contained on the album makes it not only a good work of art but affords fans to view the malleability of his talent in 3-D format .

Rating 4.8


TRACK LIST
1. SIKA ft Kesse

2.WOARA ft Raquel

3. WHITE WEDDING ft Efya

4. MR. VERSATILE ft Irene Logan

5. ODO WO HE ft Nana Yaa

6. ONE IN A MILLION ft Caroline

7. KWAME SE ft Tinny & Edem

8.MAFE WO ft Tattoo

9. DON’T JUDGE ME ft Vera (D-3)

10. FAR AWAY ft SHE

11. NEW NATION ft Raquel & STONE (Bradez)

12. HOLLA AT YOU ft Edwin (Soul Black)

13. HEPATITIS B ft Quabena Maphia